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| VOYAGE
NR: 7371.1 NAME OF VESSEL: Geldermalsen |
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In September
1746 the Directors of the Zeeland Chamber decide on the construction of
six new ships. For one of these cargo vessels the Zeeland Director, Jan
van Borssele, who holds many important functions in Middelburg, may think
up a name. This does not require much imagination, for in this period
a new VOC ship is usually named after a country-seat or estate. Van Borssele
does not deviate from this tradition and he names this East Indiaman after
the manor Geldermalsen, owned by his family. |
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At
six o'clock, just before dark, third watchman Jan Delia and two cadets,
Arie van Dijk and Anthony van Grauw, climb up for a lookout. There is no
land in sight. One hour later boatswain Urbanus Urbani is at work with the
anchors. It is now dark, but just in front of the ship he suddenly observes breakers. He manages to shout that the helm should be hard over, but it is already too late, for with a loud noise the GELDERMALSEN crashes onto a reef. |
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The captain
shouts his orders: give way on the mizzen sheet, haul on the main sheet,
haul on the starboard main sheet! The ship luffs from south to east and
manages to get loose from the reef. In the confusion Morel gives instructions
to haul on the starboard foresheet, but because of this faulty manoeuvre
the ship once more pays off towards the south and runs aground again.
Because of the enormous shock the main topmast falls down, the rudder
gets out of the braces and the tiller breaks off. From one moment to the
next the ship is making 14 feet of water. The next morning nothing of the ship or her remaining crew can be seen. The 32 castaways set sail. On 10 January,
after a week of hardship, the two open boats reach the island of Edam
and the next day they arrive in Batavia. Boatswain Christoffel van Dijk,
the highest in rank of the survivors, is not given a very warm welcome.
In Batavia his account causes quite astir, as well as suspicion. Why haven
't more men been saved? Why has the captain at the last moment passed
along papers and two writing-drawers full of rixdollars, but not the chest
of gold? Perhaps the survivors stole the gold and keep it hidden somewhere?
Time and time again Christoffel van Dijk has to tell exactly what happened,
and on 17 January he and the other third watch Urbanus Urbani are sharply
questioned by the Judge Advocate General. As usual
at noon sun's height is measured and the latitude is calculated to be
55 minutes northern latitude, just above the equator. The entire afternoon,
exactly on the hour, a depth of 20 to 25 fathoms is logged when heaving
the lead. Christoffel van Dijk states that he observes to the North-West
the coastline of 'Het Ruyge Eiland', a fixed orientation point. Was the
boatswain sufficiently experienced? He may have made a simple mistake.
Perhaps he was deceived by the clear sky and was it not even 'Het Ruyge
Eiland' at all. Seamaps of that period are known to deviate considerably
compared with modern maps. Moreover, it was no easy task to determine
exactly the distance travelled and to plot this on a map. Though the instruments
available to the 18th century captain enabled him to measure the latitude
fairly accurately, the longitude was much harder to determine. Why did
the castaways take along papers and rixdollars, but not the valuable chest
of gold? Christoffel van Dijk declares that they never even saw it . Hatcher
found the gold not in the wreck, but beside it. That fits in with the
story of one of the survivors, the steward of Morel, a seaman by the name
of Arnold. He tells how he, together with someone else, was ordered by
Morel to get a chest from the cabin. The two men lugged the heavy chest
on deck, and according to Arnold this must have contained gold because
of its weight. They take their burden as far as the side-rope and what
happens then is anybody's guess, for at that moment the GELDERMALSEN begins
to capsize and Arnold jumps overboard. The discovery by Captain Michael Hatcher. When a ship
has lain in water for 233 years, not much is left of it. Only objects
of durable material, such as gold, bronze and of course porcelain can
survive such a period. Nevertheless, Hatcher and his men, while digging
up these treasures, have swum around in a gigantic teapot. It is worth
dwelling on this, and to remind ourselves of the important fact that this
VOC ship carried tea as her most important cargo. At present attention
is naturally focused on the porcelain and gold, but for the Chamber of
Zeeland, which was the GELDERMALSEN's destination, the tea, 686.997 pounds,
meant the prospect of a profit of about four hundred thousand guilders. |
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What is
it the divers have brought to the surface? We can distinguish three categories:
objects belonging to the ship's inventory, gold and the collection of
porcelain. |
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bell lying, were the copper candlestick and the remains of the wineglass lying close together? Every underwater archaeologist might ask numerous questions with regard to one small find, for it is precisely these kind of details that tell us more about life on board, the organization, the use of the object in question, the crewin short, it helps us to gain more insight into all these matters about which so very little is known. Every minute and seemingly insignificant object may be 'a historical time capsule'. By lifting a find out of its context something of its tale is irrevocably lost and this detracts from its value. A good example of this is the candlestick recovered by Hatcher. It is a heavily encrusted, but still easily recognisable model with a drip-catcher in the middle and a probably detachable upper part. The green oxidation testifies to the copper used in the alloy. In the list of cabin's goods such a candlestick is mentioned. But have captain Morel and his passenger sipped their brandy by the light of this candle ? We will never know, because we have no information on the location of the find. Perhaps there were more candlesticks of this kind on board. The same applies to the pewter wine jug, the remains of a wineglass and the mounting of a ship's chest. Outside their context they are isolated objects which do have a certain general historical value because of the precise dating, but are unable to tell us more about the people who owned them or the situation in which they were used. Hatcher
has further recovered two bronze cannons, the only two on board, according
to the inventory. There were also 24 iron cannons, but they have suffered
far more from the sea water. One of the cannons bears the VOC monogram
of the Amsterdam Chamber and the inscription: MN---- NOORDENE LANDGRAVE
(?) AMSTELODAMI A 1702. The digit 1656 indicates the weight in pounds. The ship's bell, however, is an integral part of the ship and during the voyage determines the rhythm on board. The ship's communications system revolves around it and everyone on board knows its specific sound. Hatcher has recovered the 47 cm high bell of the GELDERMALSEN and it is obvious that this bell was cast specifically for this ship. It bears the inscription: ME FECIT CIPRIANUS CRANS JANSZ ANNO 1747, and is decorated with birds, acanthus leaves and vinescrolls in bands below and above the text. It will be displayed in the Zeeuws museum in Middelburg, as a gift from Hatcher and his crew. Finally, there is the crockery on board the ship. Tens of 'baardman' jugs of German stoneware in various sizes, some indeed with the well-known bearded face in relief, but most of them undecorated with a somewhat spotty brown glaze. High jugs with a small handle, glazed bluish-grey, also German stoneware, some with a letter or digit in blue. A series of wine bottles, the well-known bulging model with a high kick. The salt has caused many of them to crack, but others still have their contents. The four Delftware gallipots, a big wide one and three smaller high ones, may have belonged to the inventory of the sick-bay. For the history of Asiatic ceramics the many martavans are interesting: storage jars for water, oil, preserved vegetables and other items. They are made of thick, brown-glazed stoneware and were traditionally manufactured in South-Chinese kilns. There are various types in Hatcher's find: the low, bulging model with a wide shoulder and tapering at the bottom, the higher pear-shaped model and a small martavan with a clearly pronounced shoulder and a slightly outward-curving wall which only narrows at the bottom. The study of martavans has lately become a subject of renewed interest. They have been used throughout South-East Asia for many centuries as storage jars, and sometimes, as handed-down family heirlooms, they were even believed to have magical powers. Dated pieces, such as these of the GELDERMALSEN are rare and very welcome for further study. The second category of Hatcher's find is, of course, the most spectacular: the gold. As Hatcher himself tells in an interview: this is the dream of every diver, the classical children's story of shipwrecks and hidden treasures. It is already an adventure in itself to see such a fairytale come true. |
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As a matter of fact, Hatcher was lucky. The period during which the return ships carried gold on part of their route was relatively brief: from 1735 until 1760. And of all these ships 'only' two were shipwrecked: the ENKHUIZEN in 1741 and the GELDERMALSEN in 1752. The AMSTELVEEN, for instance, who sailed for the Netherlands three weeks before the GELDERMALSEN, did not have any gold on board at all. In all, the GELDERMALSEN carried 147 pieces of gold. Hatcher has found 125 of them. There are 107 rectangular bars and 18 so-called shoes or boats of a more or less oval shape with upright ends. The shoes measure 5.5 x 3 x 3 cm, the bars 8 x 2.5 x 1.5 cm. Bars and shoes each weigh approximately 370 grams or 10 Chinese thaels. All the gold is extremely pure, about 20 to 22 carats, and stamped with Chinese quality seals. On the shoes we see one or two round seals with the character 'ji', which means 'luck' . The bars have two square seals bearing the character 'yuan' and a gourd-shaped seal with the signs 'yuan ji bao' , meaning 'gold block' or 'valuable' .63 In letters in which the buying-in of gold is mentioned, we read that most of it was bought through the Hong merchant Tsja Hongqua, who got it from Nanking. In those days this was already an important trading centre. Raw silk and Nanking linen are manufactured there and the Chinese merchants in Canton have intensive contacts with this place. Of greater
historical significance than the gold is the immense quantity of porcelain
recovered by Hatcher: more than 150.000 pieces. The stylistic characteristics
support a mid-18th century dating. The nature and composition of the goods,
when we compare them with the shipping invoice of the GELDERMALSEN and
other archival documents, are proof beyond doubt that what we see here
before us is indeed the porcelain from the GELDERMALSEN. (see
porcelain) |
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following
assortment (the original Dutch names are added between brackets): 171
dinner services (tafelserviesen), 63.623 tea cups and saucers (theegoed),
19.535 coffee cups and saucers (kofflegoed), 9.735 chocolate cups and
saucers (chocoladegoed), 578 tea pots (trekpotten), 548 milk jugs (melkkommen),
14.315 flat dinner plates (tafelborden), 1.452 soup plates (soepborden),
299 cuspidors (quispedoren), 606 vomit pots (spuijgpoijes), 75 fish bowls
(viskommen), 447 single dishes (enkele schalen), 1.000 nests round dishes
(nest ronde schalen), 195 butter dishes (botervlooijes), 2.563 bowls with
saucers (kommeijes en pieringen), 821 mugs or English beer tankards (mugs
of Engelse bierkannen), 25.921 slop bowls (spoelkommen).
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The 'Nanking Cargo' auction at Christie's in Amsterdam in 1986. As the auction drew near and the news of the extent and variety of the 150.OOO-piece cargo of GELDERMALSEN spread through Europe's universities and museums, academic fury against Hatcher began to mount. A bigger threat to the success of the sale had been the strong opposition mounted towards it by the (Netherlands) Rijksmuseum and its curator of marine archaeology, Mr Bas Kist. He considered that the GELDERMALSEN had been salvaged too quickly with all the concentration on bringing up the saleable cargo at the expense of serious historical investigation of the site.He called a press conference to publicise what he called the inadequate funding of |
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archaeology by the Dutch Government. '...We fear that in the rush of romantic
excitement part of the national heritage will be lost,' said Kist. But when
Mike Hatcher attempted to put his point of view (at the press conference)
he was refused entry. The Rijksmuseum refused to take any part in the bidding.
But in the event the Rijksmuseum's disapproval had no effect on the auction. The auction was six months in the planning and was the biggest porcelain sale ever attempted by Christies. All involved knew that a successful publicity and marketing campaign could mean the difference between success and failure. Hatcher had learned a few lessons from the junk. With the GELDERMALSEN recovery he took photographer John Bremner along to take still photographs and video footage of the operation. Christies appointed Mark Wrey to handle publicity. 'Nanking Cargo' was decided as the title for the sale, the name coming from 18th century auctions which advertised the porcelain as 'Nanking Ware'. It was the inspiration of Christie's Chinese Department Director Colin Sheaf who would later write a book of his own, 'The Hatcher Porcelain Cargoes'. One of Wrey's first moves was the compiling of a video of Bremner's footage. Four hundred advance copies were made and sent to dealers and to Christie's salerooms in London, New York, Amsterdam and Paris. A major press conference was held in Amsterdam for international newspaper and television journalists, with Mike Hatcher on show together with a range of artefacts from the GELDERMALSEN. In March
there was another conference with the bell and the two bronze cannon to
announce the positive identification of the vessel. During this time Mike
Hatcher also gave a series of lectures and television appearances which
kept the names GELDERMALSEN and Nanking Cargo in the public eye. The publicity
machine was extremely effective. In the week before the auction 20.000
people queued in the rain to file through Christie's Amsterdam salesroom
to view the Nanking Cargo. |
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Bibliography and Sources: Bruijn, J.R., Gaastra, F.S., Schöffer, I. Dutch-Asiatic Shipping In The 17th and 18th Centuries (3 Vols). The Hague, 1979, 1987 Christie's Amsterdam B.V. The Nanking Cargo, Chinese Porcelain and Gold, European Glass and Stoneware, recovered by Captain Michael Hatcher from a European ship wrecked in the South China Seas. Amsterdam, 1986 Jörg, C.J.A. The Geldermalsen. History and Porcelain. Groningen, 1986 |
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